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Category: Spotlight
May 20th, 2008

For competition on Tuesday, May 20th

CHANGELING (2h21) Directed by

USA

This thriller stars and the director is no one but . The film sounds very promising.

He is in his late seventies and this period piece is set in 1920s Los Angeles.

Jolie, 32 plays a mother whose son is kidnapped for months only to return with something not quite right about him. She realizes that the rescued child is not her own.

plays a supportive priest.

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Category: Spotlight
May 19th, 2008

For competition on Monday, May 19th

TWO LOVERS (1h40) Directed by James Gray

USA

A depressed young man’s life is turned around after he moves back in with his parents and two women enter it – a beautiful volatile neighbor trapped in an affair and the lovely daughter of a close family friend.

Romantic drama stars and falling in love in Brooklyn.

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Category: Spotlight
May 19th, 2008

For competition on Monday, May 19th

LE SILENCE DE LORNA (LORNA’S SILENCE) (1h45) Directed by Jean-Pierre and Luc Dardenne

Belgium, France, Italy

In order to become the owner of a snack bar with her boyfriend, Lorna, a young Albanian woman living in Belgium becomes an accomplice to a diabolical plan devised by mobster Fabio.
Fabio has orchestrated a sham marriage between her and Claudy. The marriage allows her to obtain Belgian citizenship and then marry a Russian Mafioso willing to pay a lot of money to acquire the same quickly. However, for this second marriage to be possible, Fabio has planned to kill Claudy. Will Lorna keep silent?

Starring Jérémie Renier and Fabrizio Rongione (recently seen in What Makes You Happy), Le Silence de Lorna also stars lead Arta Dobroshi, a young Albanian actress from Kosovo, who has been on a rollercoaster of success since starring in Kujtim Çashku’s multiple award-winner Magic Eye. It’s Dardenne brothers’ sixth film.

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Category: Spotlight
May 19th, 2008

For competition on Sunday, May 18th

SERBIS (1h30) Directed by Brillante Mendoza

Phillipines

The title of the edgy drama by Mendoza, which in English means “service” refers to male prostitutes who ply their services to the gay cinema-going clients.

The movie only wrapped this month. Serbis barely made it to the Cannes. Mendoza shot the film in just 12 days and spent only a month in post-production. He sent a rough cut to the selection committee late last month. Still the film is powerful as The Masseur.

Maggie Lee in the Hollywood Reporter:

“Taking place mostly in a porno theater ironically, yet fittingly, named Family, Serbis is part homage to cinema, part intimate domestic drama that vividly details the tangled relations and all-too human frailties of an extended family running a theater in the provincial Philippines. Director Brillante Mendoza continues the neo-realist vein of Foster Child and Sling Shot in Serbis, but displays marked improvement - both the grunge aesthetic and film language now bear his personal handwriting. To this, he adds some bristling sexuality, both gay and straight.”

Howard Feinstein in Screen Daily:

“Since he shifted from production design to directing with The Masseur (2005), a static misfire about a gay massage parlor in the provinces of his native Philippines, Mendoza has made up for lost time by cranking out four films since (including one documentary), all low-budget, showing mastery in a variety of genres.”

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Category: Spotlight
May 19th, 2008

For competition on Sunday, May 18th

GOMORRA (2h15) Directed by Matteo Garrone

Italy

Natasha Senjanovic in the Hollywood Reporter:

Powerful, stripped to its very essence and featuring a spectacular cast (of mostly non-professionals), Matteo Garrone’s sixth feature film Gomorra goes beyond Tarantino’s gratuitous violence and even Scorsese’s Hollywood sensibility in depicting the everyday reality of organized crime’s foot soldiers. The characters of the film’s five stories all work for the Camorra - the Neapolitan ‘mafia’ behind over 4,000 murders in 30 years in Italy, and countless illegal activities - and besides being extremely dangerous are relentless, petty and anything but wise.”

Lee Marshall in Screen Daily:

Probably the most authentic and unsentimental mafia movie ever to come out of Italy, Gomorrah is a courageous, bruising and harrrowing ride.”

Jay Weissberg in Variety:

Utilizing a mesmerizing documentary style that studiously avoids glamorizing the horrors, Garrone cherrypicks episodes from Saviano’s muckraking tract, building to a chillingly matter-of-fact crescendo of violence, though interwoven tales tend to dissipate the full force of the criminal Camorra families’ insidious control.

While the Sicilian Mafia has drawn the lion’s share of media attention over the years, it’s the Camorra families of Naples who have really created an oligarchy of power and violence, controlling lives and entire economies not just in Italy but worldwide - their profits are estimated at over $233 billion per year…. But Garrone is clearly more interested in how the average inhabitant becomes drawn into the cycle of corruption and violence. Wads of cash regularly turn up in Gomorrah, but the trappings of wealth are nowhere to be seen: no fancy villas, no flashy jewels or expensive meals, since the Camorra’s dough never really trickles down to the foot soldiers.”

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Category: Spotlight
May 17th, 2008

is the president of the jury at the 61st annual ,

Sean is a regular at Cannes. He won the best actor award here for She’s So Lovely, as well as he showed his own movies The Pledge and The Indian Runner here.

He will lead a jury made up of Mexican director Alfonso Cuaron (Children of Men), American actress (V for Vendetta), Iranian comic book artist Marjane Satrapi (Persepolis), Italian actor-director Sergio Castellitto (My Mother’s Smile), French actress Jeanne Balibar (Clean), Thai director Apichatpong Weerasethakul (Tropical Malady), French director Rachid Bouchareb (Days of Glory) and German actress Alexandra Maria Lara (Downfall).

The winners will be announced May 25.

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Category: Spotlight
May 17th, 2008

For competition on Saturday, May 17th

ER SHI SI CHENG JI (24 City) (1h52) Directed by Jia Zhangke

China

This year this is the only Chinese movie to compete for Palme d’Or.

Jia Zhang Ke is a graduate of the Beijing Film Academy. He is best known for the internationally acclaimed films Still Life and The World. His 24 City is a story about three beautiful women’s fate in the process of China’s urbanization after 1958.

The former airplane-engine plant, known as Factory 240, employed 20,000 workers until it ceased production and was converted into a condominium complex called “24 City.”

Set in 1960s, 1980s and present day China.

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Category: Spotlight
May 17th, 2008

For competition on Saturday, May 17th

LINHA DE PASSE (1h48) Directed by Walter Salles, Daniela Thomas

Brazil

This is a story about four brothers from a poor family living in urban jungle of São Paulo. They need to fight to follow their dreams in the Brazilian ghetto.

This year in Cannes there’s a strong South American contingent. Walter Salles, the great filmmaker whose The Motorcycle Diaries I adored, should definitely have a Palme d’Or.

In 1998, his small drama Central Station came out of nowhere to become sensation and got two Oscar nominations. Walter Salles’ Behind The Sun was nominated for Golden Globe Award.

LINHA DE PASSE is co-directed with Daniela Thomas from a script she wrote with George Moura (Moro No Brasil)

Here is the official movie synopsis:

Sao Paulo. 20 million inhabitants, 200 kilometers of traffic, 300,000 messengers on motorcycles.
At the heart of one of the toughest, most chaotic cities in the world, four brothers try to reinvent themselves in different ways.
With the backdrop of Brazil in a state of emergency, every single one is looking for a way out.”

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Category: Spotlight
May 16th, 2008

For competition on Friday, May 16th

ÜÇ MAYMUN (Three Monkeys) (1h49) Directed by Nuri Bilge Ceylan

Turkey

Turkish director Nuri Bilge Ceylan has already done two films Uzak (Distant) in 2002 and Climates in 2006.

He is perfectly positioned to win a prize at Cannes this year. He earned reputation of a new worldclass filmmaker.

An ostensibly routine noir-style psychological thriller vaults into the realms of high art in competition contender Three Monkeys,”

writes Jonathan Romney in Screen Daily.

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Category: Spotlight
May 16th, 2008

For competition on Friday, May 16th

UN CONTE DE NOËL (2h30) Directed by Arnaud Desplechin

France

With , Jean-Paul Roussillon, Mathieu Amalric.

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